Elizabeth McLain

Historical Musicology

Elizabeth McLain is a doctoral candidate in historical musicology. Her research interests include music and spirituality from the late nineteenth through the twentieth century, the music of France, the organist-composer tradition, disability studies, Russian music, and diversifying music history pedagogy. As a Diversity, Equity, and Inclusion ambassador, she works to make SMTD a more inclusive place for disabled students while simultaneously learning how to support other marginalized groups. Her dissertation “Catholic, Nonconformist, Surrealist, Artist: Olivier Messiaen’s Intellectual World and Aesthetic Agenda in the 1930s” situates Messiaen’s early works at the intersection of the composer-organist-improviser tradition, Ressourcement theology, Nonconformist political ideology, and Surrealist aesthetics. She has presented at conferences in the United States and abroad, and her published work includes a chapter in Mystic Modern: The Music, Thought, and Legacy of Charles Tournemire and a forthcoming article for the Journal of Musicological Research. Before coming to Michigan, she earned a BA in History and a BA in Music Performance at Virginia Tech. When not teaching, writing, or engaging in advocacy work, Elizabeth reads voraciously, spends too much time discussing Star Wars, and enjoys the company of her beloved cat Misha.

Contact: eamclain@umich.edu

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